14″ x 11″ Watercolor, ink. Studies in gray


View GALLERY HERE.
14″ x 11″ Watercolor, ink. Studies in gray


View GALLERY HERE.
This is the first piece I’ve done since the election disaster. I’d been averaging almost 20 new pieces a month this year.
14″ x 11″ Watercolor, ink, white gel pen


View GALLERY HERE.

“Dear Liberal Friends, you do not have the tools to fight Trump” … because it’s not
just Trump, it’s Fascism, and it’s world wide.
A poem I wrote some 30 years ago, put aside and forgot. Remembered last night in a dream.

The river runs — a stillness
with the city around her
runs
through the city
a stillness at its heart
of trees stripped
lifting
shadows from the bank
Here and there a leaf rides clear
water through the branching thicket
A blazing gust
blinds windily — wakes
A presence in the
deeper tempers of this November noon.
A weighted glint of cold
a flashing
eye
an understanding, silent mock
A laughter not of water stalks
across the surface of the stream, chills
the vestal air
Winter, soon.
And near, high
around its dark mass — The Colossus
strides on iron feet
ferric dust, red flakes rusting red
over red leaves everywhere he walks
the laughter goes
withering over the coming snow, spreading
his fine red rust over the white crust of snow
falling…
because he is not forest
or the wild hills
neither is he City
— built of love but broken — broken
leveler
of forest and the city’s siege, his coronets
crying over midnight seas
Still Imperial, impaler
of the singer and the song
falling
like red snow
everywhere
he goes
is Death
What we see now, is essentially what has been in place since before most of those marching on the street were born. If it were not so, there would not be this rolling-over-on-it’s- belly full-out effort to normalize the nightmare. They were already fascists. We already lived in an Empire of Money and Death that deserved to be overthrown.
Some of us told you. Not that it affords any comfort or satisfaction. If we can’t turn this around; if we can’t prevent what is sure to happen, there really isn’t any reason to live. Death is by far the greater mercy.
Capital as the Body of Death
The Dark Forest: Literature, Philosophy, and Digital Arts
Desiring machines make us an organism; but at the very heart of this production, the body suffers from being organized in this way, from not having some other sort of organization, or no organization at all.
– Gilles Deleuze/Fritz Guattari, Anti-Oedipus
There comes a moment in their great work Anti-Oedipus (for that is what we must call this black book of riddles) when D&G – in an almost gnostic litany of negativity from one of the drifting echoes of Artaud’s process of ‘Unmaking / Unnaming’ (“No mouth. No tongue. No teeth. No larynx. No esophagus. No belly. No anus”) expose the body of death to the onslaught of expressive delineation: “The automata stop dead and set free the unorganized mass they once served to articulate.(8) It’s as if the nanobots of our own late era had already infiltrated the discourse of this early dreamwork, as if the viral memes of our late capitalism…
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I finally got a couple hours of sleep.
The rage has dissolved into tears, and the tears into grim resolve. It’s time to wipe the tears, to do what must be done… and then… to laugh, a laughter sadder than tears.
It’s not only at the beginning of the day, one must ask, why go on? but before every undertaking. There is nothing any longer that is trivial. Everything, everything–is life or death.
Do I bother to draw water to drink? Do I prepare food to break the fast? This pen, and these brushes? Is there any reason to pick them up, to make marks on this paper?
How many times I’ve wondered–what was it like, in Germany, 1933?
I think about the people who voted for … I will not write that name, or let it pass my lips… the ‘good Germans’
I will not be a ‘Good German.’ I will not be a ‘Good German.’
No more, the prattle of the ‘realists.’ No more talk of following those who ‘get things done.’ There is no longer any reality worth living, but that we take up and create for ourselves.
Love, Solidarity, Imagination…RESISTANCE!
12″ x 9″ Ink, watercolor. Scraps of Arches cold press watercolor paper on # 234 Borden & Riley paper


View GALLERY HERE.