Nothing lasts but change

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For generations, artists in the Euro-American traditions, like ancient Greek heroes, accepted the idea of posterity–the hope for an enduring place in history and myth, that they, and their work, might defy mutability–hope for a kind secular immortality; artists and poets might die, but art and poetry was forever.   On the brink of collective human suicide–and even if we should survive our human-made catastrophes, it will be but for a blink of the universal eye–who can believe in such a thing, now?

I’ve been thinking about this for some time. My work will never achieve an enduring status, and even if it did–what posterity…?  when, in a few generations, there will no humans left on the planet? And in the immensity of time, before the sun consumes the inner planets as a red giant, who can maintain the illusion of a lasting memory, of a lasting anything? What then, can take the place of that old fantasy–dead as the gods who belonged to that vanished world? What, but change itself? Like Octavia Butler’s Parable of the Seed. Rather than imagining, how works of art might endure, think of them in terms of what they do, as themselves, agents of change–which they are. As works of art and poetry have always been… done?

Lubricants to slide us another step into a future we can only know when we get there. The only past worth saving, is what will remain as we break the chains that bind us to it, the past that will survive, because it changes with us in a future we create together.

 

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#951 Spirit of Xmas 2018

24″ x 18″ Acrylic on canvas (painted over: as #962)
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View more work at Saatchi Art, and on my web portfolio: ART BY WILLARD For photos on this blog, click MY ART on the right panel and scroll down.

What makes art revolutionary?

What makes art, revolutionary?

I’m fine with political art. We need it. But that’s still basing its value on use–on the use that is made of it, and not for itself, which is how this fucked up culture judges everything and deprives everything, human lives not the least, of any value but how they can be used, or what can be got from it.

Art that is USELESS is also revolutionary, not because of what it represents, but because it witnesses to the reality of inherent value, of value that can’t be reduced to any exchange.

I love art with a powerful revolutionary messages, and respect those who make it. But please don’t dismiss the not so obvious revolutionary power of holding to a belief in inherent value, autonomous from all else… as we must hold human life as of value, apart from all the ways it can be put to use.

EndPars-Occupy City Hall

ICE down 1 Remains of medical station after cop raid at ICE, 8th and Cherry.

the 2011 Occupy camps were an open mass movement, a premature revolutionary experiment that wasn’t able to deal with how unprepared so many were who came into the camps. They had collapsed and outlived their service weeks before they were taken down by cops. But failures are how we learn.
When I first heard that there was going to be an attempt to ‘occupy’ the ICE facility, I was skeptical. Heraclitus had a pretty good rule of thumb for radical action: can’t step into the same river twice “Don’t Try to Repeat the Same Thing”

But from the beginning, it was clear that what’s become the end Pars occupy city hall camp (a single action in a larger coalition) learned some valuable lessons, whether from 2011 or from wiser young heads) — It only superficially resembles the 2011 Occupies. Contributing to this, is the deep, organizing that preceded it–diverse groups many that had been working independently, but were prepared for cooperative, intersectional action when the right occasion appeared.

Micro-organizing is the essential prerequisite for the success of any mass movement. Never despair because you are few! You are NOT FEW!

Forget corporate cooperative Trade Unions!

Re, recent Supremes decision.
We maybe need to think of different ways of configuring unions. The ruling was pretty specific in addressing existing trade union laws. But the existing legal protections also constrict how and what unions can be. We got these laws with bloody wars–and the definitions of what those laws protected, and what unions were, with them.
This is a new era… time to forget the laws and unions as we’ve let them be defined, and begin the fight all over, for a new and way more inclusive kind of union. Trade unions are archaic. There no reason to mourn their demise. We can do better!

Artists against Capitalism!

Why is it so hard to find committed, radical/anarchist artists–committed, both to making art, AND to working together to find ways to make art outside the capitalist, gatekeeper, gallery to investor system? Cause no one can do this alone.
One of the factors in what makes me so discouraged, and depressed in my efforts to make art.

It can’t be just talk. It has to be action–discovering, creating through action. It has to begin with saying: we can’t do this anymore! We can’t work within the system anymore! Enough!
And then–looking at what we CAN do–and doing it!

Though the material and social problems involved are unique to each medium and form–this is something that should be addressed by artists of all kinds–dancers, theater people, poets, musicians –together, as a collectivist work.

#823

11″ x 11″ Acrylic, Ink. Brush and pen.
A tribute to graffiti artists–whose art is mated to destroying the value of property. The capitalist, Gallriest-Gatekeepers, and their non-profit mural arts sidekicks, try to defang them, prettify them, sell them to investors, but they slip out the door of the Great Western Art Narrative, to appear again on walls above the street–nameless as ninja warriors.
Paint this over fascist Rizzo’s face on 9th Street!
#823
View more work at SaatchieArt, and on my web portfolio here ART BY WILLARD For photos on this blog, click MY ART on the right panel and scroll down.

Artists are not BRANDS!

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Bend over, artists, bare your butts and smile to the sizzle of the Branding Iron!

This is everything that’s wrong with the “Art World.” This abominable piece… empty of irony or insight.
” To start, it is all about thinking differently. You are not just an artist. You are an artistic entrepreneur and your art is your big business. As CEO, it’s time to take a note or two from the owner’s playbook of art business and marketing on developing your brand identity.”

The other thing I object to in that ad/fomercial, is the message that if you follow those tips, you too, can become a ‘successful’ artist-CEO; that is precisely analogous to advising poor people, that if they work hard, follow the rules, and stop drinking coffee, they won’t be poor, when the reality is, that the system CREATES poverty, and prevents it’s elimination to insure a ready supply of low wage labor, just as the system PREVENTS all but a very few artists from becoming self-supporting, and then, at the cost of their creative freedom for most of those who do get that far. So the promise offered in that piece, is a lie–bait for those whose need to believe exceeds their desire to see through the sham.

“Thinking differently” is NewSpeak, for, Stop thinking, and submit to the Capitalist cult!

Your Art, Your Brand

Fighting for our Lives!

Fighting for our Lives

Fifteen years ago, we published the following text introducing anarchism to the general public as a total way of being, at once adventurous and accessible. We offered the paper free in any quantity, raising tens of thousands of dollars for printing and even offering to cover the postage to mail copies to anyone who could not afford them. In the first two weeks, we sent out 90,000 copies. It appeared just in time for the “People’s Strike” mobilization against the IMF and World Bank in Washington, DC; the pastor at the Presbyterian church that hosted anticapitalist activists in DC preached her Sunday sermon from the primer as she spoke to her congregation about the demonstrations. Over the following decade, Fighting for Our Lives figured in countless escapades and outreach efforts; read this story for an example. In the end, we distributed 650,000 print copies.

Fighting for Our Lives has been out of print for several years, as we’ve focused on other projects such as To Change Everything. We’ve now prepared a zine version for our downloads library. From this vantage point, we can appreciate both the text and the project itself as ambitious and exuberant attempts to break with the logic of the existing order and to stake everything on establishing new relations. We’ve learned a lot in the years since then—but we haven’t backed down one millimeter.