Image result for Photo Birmingham civil rights memorial

rest in peace ..

Some by birth, were born before 1946–but all died as martyrs and warriors of Justice in that generation… and many, many more…

Jimme Lee Stephen JacksonRev James Reeb, Viola Liuzzo Jonathan Daniels (1965). Rev. George Lee, Lamar Smith, Emmitt Till, John Earl Reece (1955) , Wilie Edwards Jr (1951), Mack Charles Parker (1959, Herbert Lee (1961), col. Roman Duckworth Jr, Paul Guihard (1962), Wiliam Lewis Moore, Medgar Evers, Addie May Collins, Carol Robertson, Denise McNair, Cynthia Wesley , Virgil Lamar Ware (1963) Louis allen, JohnnieMae Chappel, Rev Bruce Klunder Henry Hezekia Dee, Charles Eddie Moore, James Earl Chaney, Andrew Goodman, Michael Henry Schwerner, Lt. Col. Lemuel Penn (1964), Oncal Moore, Willie Brewster,Jonathan Myrick Daniesl (1965), Samuel Leamar Younge Jr, VernonFerdinand Dahmer, Ben Chester White, Clarence TGriggs, James Meredith, (1966), Wharlest Jockson, Benjamin Brown (1967), Mary Ann Vecchio,
Samuel Ephesians Hammond Jr, Delano Herman Middleton, Henry Ezekiel Smith, Martin Luther King (1968), Yvonne Oakes, Jeffry Green Miller (1970), Allison B. Krouse, Wiliam Knox Schroeder, Sandra Lee Scheuer, Phillip Lafayette Gibbs, James Earl Green.
And let us not forget the thousands of ACT UP warriors who died fighting, and fought while dying…
Mumia abu Jamal, Leonard Peltier –and the thousands of Political prisoners still in cages FREE THEM ALL!

Tell me, who deserves to be remembered, as the true representatives of a generation?

Thinking of last things…

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I’ve been thinking about dying. Listening to myself breath, with more than usual effort.  Listening–thinking about dying–I ask myself–if it were only to begin something–what would I like to do before I die?

I feel inside this question, another one, in hiding. Another question wrapped in the first

What is it I have wanted, and not found?

What has been missing for me, that it took me so long to begin doing what I have felt was my real calling, and which, even now–the lack, speaks back to me, but this time in a form I’m beginning to recognize.

If only there had been someone to listen…

What if we were to make together, a circle (or circles) of Elders and Mentors for artists–poets? — certainly not an organization, not quite a movement–though that would come closer–especially for creative fields that don’t now have this as a more natural part of their development (I’m thinking of dancers, or musicians–poets sometimes find this). But for these too–I can imagine such a mentoring. I ask myself: what would it be? What do I feel, might have made my life … more true?

What would these mentors, do?


That’s what comes to mind, and everything else shapes itself around that. Listen. Not teach. To encourage, yes, but out of a deep listening that hears what the younger artist may not yet hear themselves. Mentors who would be there for the artist to speak to — from the heart–to tell about what they want to do, hope for themselves, what they are perhaps least sure of–or most anxious about how they will be received in the world.


Not judge.

Not advise.

Not teach.

Not pretend to know better than the younger artist, what they want for themselves. To listen in confidence to the their most daring ideas, what they are most confident–or most anxious– about.


To them talk about their work In the conviction that in being heard, we hear most clearly–our own voice, see most clearly our own, deepest vision. And return, more ready to present the gift that is ours alone–whether created alone, or in collaboration, the gift that is ours to leave the world on our parting.


24×30″ Oil on canvas.
“Here again the prisoner must use the very language, the words, the syntax, of his enemy, whereas he craves a separate language, belonging only to his people.” Jean Genet, to george Jackson’s Soledad Brother, Prison Letters.
View more work at Saatchi Art, and on my web portfolio: ART BY WILLARD For photos on this blog, click MY ART on the right panel and scroll down.


45.7×60.9cm (18×24)” Oil on Arches 140lb cold press. Water mixable oils, thinned with water, work like watercolors on paper, and with the darker tones and saturated colors of oils. This is only an experiment… paper is unprimed. The paper will probably have to be primed with gesso, but then… impermanence has it’s place.  But then if the concern is expansion of paper under a the older, and stiffer oil, causing cracking, a thin wash shouldn’t be a problem.
View more work at Saatchi Art, and on my web portfolio: ART BY WILLARD For photos on this blog, click MY ART on the right panel and scroll down.