8″ x 7″ Watercolor, ink, smudge of ash from burnt Buddhist paper Breaking the Coils of Desire.
#637 8″ x 5″ yellow-green green, blue, gray, black. Watercolor, ink
#638 8″ x 5″ yellow-green green, blue, gray, black 2, watercolor, ink
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As I walked to the super market, I wondered what would happen if I were arrested, sentence to years or life (which wouldn’t be that long for me) in prison? I kept thinking about Murphy Cat and Merlin. Who would take care of them? And if I were to be released in a few years… would they know me? Would they be angry with me? Would they think that I’d abandoned them?
Of such thoughts are daydreams made in a Fascist State.
I think… these are going to be terrible times. Many of us won’t survive. If we are serious about resistance–about what it is we’re fighting, we have to accept that, as any soldier who goes into battle has to accept what may come. As the soldier finds courage and strength in mutual care of their comrades, so too, we need to draw strength from our comrades–by caring and supporting them, by being willing to lay our lives on the line that some us, at least, will survive. That some of us may live through these day or years to take up the never finished task, of making a humanly habitable world for all.
In his seminal book, Ways of Seeing, the great – and now late – John Berger attempted a new way of looking at art. His low budget television series of the same name (which can be found in its entirety on YouTube) had one eye on Sir Kenneth Clark’s much better funded Civilisation when it turned its attention to the matter of having no clothes on.
‘To be naked is to be oneself,’ said Berger, ‘To be naked is to be without disguise…To be nude is to be seen naked by others and yet not recognized for oneself. A naked body has to be seen as an object in order to become a nude…Nakedness reveals itself. Nudity is placed on display.’
The nude is a commodity, often commissioned by men, which Berger captured succinctly when he said, ‘You painted a naked woman because you…
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22″ x 20″ Black acrylic, white gouache, watercolor, pen and ink on 140 lb cold press Fabriano paper .
I’m turning to the idea of titles that simple reflect my mood, or extraneous thoughts at the time; these may or may not be descriptive of the work. In this case, the title appears in the painting, but so does ‘Train Wreck,’ ‘Sing,’ and several letters and numbers. As long as Trump is in the White House, and until we have a real revolution — I might name all my pieces, “Smash the State.”
Capitalism itself is this beast of purity spread across the face of the earth like an omeba, gobbling everything in its path, immolating the commodities and resources of the planet to the futurial disciplines of technics that have yet to find their slime festivals embarkation.
Cioran quotes Lao Tsu’s maxim ‘the intense life is contrary to the Tao’, and compares the tranquility of the modest life with the thirst for annihilating ecstasy that has possessed the Western world. However, acknowledging the compulsion of his Occidental heritage, he remarks ‘I can pay homage to Lao Tsu a thousand times, but I am more likely to identify with an assassin’. Our culture, he argues, is essentially fanatical.
—Nick Land, Fanged Noumena: Collected Writings 1987 – 2007
Strip the world of its illusions and delusions and you’ll only hasten the suicidal tendencies we’ve already as a species acquired. Predatory though we are, we are more prone to annihilating ourselves in a bout of self-mutilating hatred and pure religious fervor than not. Religious dogmatism – and, I count the Secular Church of Atheism in this – is the cornerstone of an anthropathological condition that breeds purity as the obliteration of…
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Breaking windows and burning limos isn’t in itself, revolution, but those humans out there on the street, those multi-pronouned humans all in black, with their AntiFA flags, were doing important work for the revolution to come. That kind of action doesn’t build alternative structures, but they demonstrate what courage looks like, and their actions FUCK the taboo around property. How do we destroy capitalism if we are horrified at breaking a fucking window!?!
We can’t build a new world, the world we want, with the old rules and laws and taboos. Those are all there to protect the wealthy, to suck wealth from the masses, to oppress and destroy marginalized people and all who oppose them.
Fuck their rules! Fuck their taboos, their laws–all of which must be be judged by their consequences, and by nothing else! The rules and laws were made by humans; humans can accept or discard or make them new, as is fitting and just for all!
The Black Block today were out there breaking, not just windows, but the cordons of our thinking, of how we perceive our present world, burning the effigies of Property! I tip my hat to them–and thank them. I call them, Comrades!
Solidarity! Love! Imagination! RESISTANCE!
25″ x 29″ from May, 2013. Acrylic, string, thread, roofing, street dirt, can lids on cardboard on chipboard. Tear it all down, and remake the world!
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7″ x 5″ Watercolor, ink. Deep State decoded
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There is no more powerful tool for changing ideas, shifting cultural zeitgeist, and resisting authoritarianism than art. While theatre is not the biggest bat artists wield, our impact on the culture is not nil, especially if you include community theatre and school plays, and we must. Resistance to the Trump regime is the most crucial political battle of our lifetimes because this regime– and the zeitgesit behind it– stands to undo progress in every area of our society. Trump, Pence, McConnell, Ryan et al are actively seeking to impoverish you to enrich themselves, roll back every civil rights and workers’ rights gain of the past 100 years, eliminate every consumer protection, eliminate the social safety net, and pretend you begged them to do it. It’s telling that the very first appointee of the incoming administration was an amoral white nationalist, and the very first act of the new Congress was…
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