Ontology as a schema of observation

Carlton Clark's avatarSocial Systems Theory

To say that a person or a class or people is oppressed by society is too simplistic. If we think of society as the totality of human beings, plus maybe institutions like schools, churches, and businesses created by human beings, we are using individual/society distinction, rather than thinking of society as global communication. In the traditional view, the individual is understood as the irreducible unit of society. Society is the whole and individual people are the parts. The individual then is understood as alienated from society, oppressed by society, indoctrinated by society, struggling for liberation from society, an integral member of society, or placed in some other relation to society.

But these are all observations. So the question becomes, What observer observes the individual as X? What observer observes the individual as alienated, oppressed, seeking liberation, or in some other relation to society?

We might say that a critical theory, religion, or…

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Two-Sided Forms

Carlton Clark's avatarSocial Systems Theory

Religion observes through the form of transcendence/immanence. The “ground of all being” is transcendent; this is what we do not see or experience in daily life, but, according to the religion system, we can get a glimpse through the curtain in brief experiences of grace. The transcendent is the unmarked side of the form because it cannot be explained or described. It’s an empty space. Everyday experience is the marked side, and religion devotes itself to describing the sins, transgressions, corruptions on this side. It develops elaborate classifications of sins, such as mortal/venial, the seven deadly sins, etc. In other words, religion first distinguishes this world of sin and corruption, marking it off from the perfect transcendent reality. Then it re-enters the form on the marked side to make further distinctions among sins. So sins in general are distinguished as mortal (unforgivable) and venial (forgivable) sins. Venial sins are marked, and…

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CAE Certificate III in Visual Arts – Class 10: “Produce Paintings and Drawings” Blog written by Karen Robinson — ido art karen robinson

While you are here – please check out my home page! INTRODUCTION My 9th class in ‘Produce Paintings’ and ‘Produce Drawings’ (these being subjects that are part of ‘Certificate III in Visual Arts’) progressed as per usual. I was mostly happy with my art work this week, and hopefully as time progresses, […]

via CAE Certificate III in Visual Arts – Class 10: “Produce Paintings and Drawings” Blog written by Karen Robinson — ido art karen robinson

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9.5″ x 7.5″ watercolor, ink. The gray has an interesting effect on the colors, particularly with yellow.  Here, the grays dominate, from pale wash to black. The companion hues, yellow, yellow green and orange, with a pale purple wash as compliment to the yellow, an unusual combination, the mood of the grays, dark to the cheery yellows. Kind of like my mixed emotional state. Balance, without harmony. Chromatic dissonance.
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View GALLERY HERE.

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