Art and Revolution

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In a better world, there would be no need for artists to sign their work. Material support would not be tied to a competitive system, and confirmation would come from performing and making and doing, without the destructive, enervating conflict that comes from confusing satisfaction with one’s work with social approval and economic status. On that level, the distinction between craft and art would vanish—as the satisfaction that comes from work well done would fall equally to all who contribute to the benefit of the community. Art would not be a specialty of a few—but a gift nurtured and shared by everyone. Those more dedicated and gifted would serve to teach and empower others.

The capitalist systems of exclusion that corrupt the arts and those who are called to them—the gatekeeping function of galleries, critics, investors, and yes—schools of art, which combine to work from earliest childhood to destroy the seed of the imaginative impulse before it can germinate—which works to marginalize, impoverish or reduce to servitude all but the smallest number of those who survive the culling—having lost its economic and political purpose, would crumble and disappear.

Aroused from the drug of the Capitalist nightmare, every artist, poet, dancer, actor, musician… would be a revolutionary

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