Corpus mysticum, Stefan Rossbach essay

Carlton Clark's avatarSocial Systems Theory

Stefan Rossbach has a wonderful chapter in Observing International Relations: Niklas Luhmann and World Politics, edited by Mathias Albert & Lena Hilkermeir, 2004. The essay is titled “‘Corpus mysticum’: Niklas Luhmann’s Evocation of World Society.”

Rossbach, in discussing Luhmann’s links to early mystics and Gnosticism, has helped me realize why (despite the difficult, often dry reading) I felt an immediate affinity for Luhmannian theory. Back in the early 1980s, I was reading things like the Meister EckhartThe Cloud of Unknowing, and St John of the Cross, as well as Zen Buddhism and other Eastern mysticisms.  As a 20-year-old, I found St. John of the Cross‘s negative theology, or via negativa, particularly fascinating.

Rossbach links Luhmann to mystics such as Jakob Boehme and Nicholas of Cusa. Here is one passage from Rossbach’s essay:

Contemplating the history of Western philosophy, Luhmann noted that 2,000 years of searching for “essence” had…

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Laszlo Krasznahorkai’s The Melancholy of Resistance

S.C. Hickman's avatarThe Dark Forest: Literature, Philosophy, and Digital Arts

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Laszlo Krasznahorkai’sThe Melancholy of Resistance lives in that grotesque realm between the real and the fantastic, its humor is only offset by its profound despair and deeply unsettling disturbance of our place not only in society but in the universe itself. In the first section of the novel we meet Mrs Plauf, an older woman who has been visiting friends and loved ones but is now on a return train trip to her own home town. Most of the action is from her pov, and we listen to her as she lives through a particularly trying voyage. Her sense of reality takes a sharp turn into the sinister when she discovers a man who is staring at here perversely. A young man, but also one who is filthy and seems ludicrously interested in her as a sexual object. As the trip goes on we find out about her life back home…

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Fantastic Politics: Subversion, Symbolic Order, and Exit Strategy

I feel this in my visual art.. I reject “realism,” and am equally unsatisfied with pure abstraction. I find I’m always searching for something else, something between, something lost and becoming in the fragments of this broken world.

This speaks to my preference for the city in my art. The natural world untouched by humans has no need of me. It’s the cage we have made of our symbolic order, of the political, social and economic machines it supports,  that I feel impelled to shatter and reassemble. The beauty I see in the wilderness, I can enjoy and leave as it is. There’s no need for me to “make art” of it. But I can’t so much as open the door to the street where I live, but that I want to take it apart–to re-imagine it, to find what is hidden there and yet to be.

“The fantastic is not an escape from reality, but an opening up of new realities, of new forms of social, political, and visionary modes of being toward reality. Reality is not a cage for thought and feeling, not a prison house within which the rich and powerful can command and control the feedback loops of some industrial mediatainment complex and thereby the vast populations of the world. No. The fantastic is about subverting these vast systems of power and control that seek to keep us ignorant and asleep in a world of consumption, slaves to our desires for more and more and more. ”

 

S.C. Hickman's avatarThe Dark Forest: Literature, Philosophy, and Digital Arts

Building on Lacan and others Rosemary Jackson in Fantasy: The Literature of Subversion will express the underlying truths of our fractured age of anxiety and dissolution. She’ll read in the fantastic works of literature the strange paths taken by singular individuals seeking a way out of the straight-jacket of our false symbolic order, our civilization’s global hell:

Literary fantasies from Sade onwards are driven by precisely this kind of restless dissatisfaction. They express a desire for the imaginary, for that which has not yet been caught and confined by a symbolic order, yet the self-mutilation, cruelty, horror and violence which they have to employ to re-turn to the imaginary suggests its inaccessibility. Their awareness of the problem of representing the ‘real’ draws attention to the relation of signifying practices to that order and its constitution, for with the removal of a fixed notion of ‘character’, the problem of fictional representation is…

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Capitalism, Schizophrenia, and Paranoia

larvalsubjects's avatarLarval Subjects .

Paul_SchreberResponding to a post I wrote on Lacan’s discourse of the capitalist a couple years ago, Robert asks:

How would you describe racism according to the discourse of the capitalist (vs. the discourse of the master)?

I’m grateful for Robert’s question and find that it comes at a timely moment, as it just so happens that I’ve been thinking a great deal about the discourse of the capitalist as a result of the seminar I’m currently teaching on Deleuze and Guattari’s Anti-Oedipus and an on again off again I’ve been having with my friend Orpheus.

I don’t yet have a theoretically well defined answer to Robert’s question– and recently I’ve come to discover that my true love is not evaluating things, nor proposing how to solve them, but rather in understanding the why of things and how they function –however, I do have the beginnings of a hypothesis that might…

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Juno

larvalsubjects's avatarLarval Subjects .

2254531_origAt approximately 10:30 EST tonight, the Juno spacecraft will enter the orbit of the largest planet in our solar system, Jupiter.  Juno has been traveling there at 60,000mph for 5 years.  When she enters Jupiters orbit she will be moving at a speed of 165,000mph; faster than any device made by humans in history.  To put this into perspective, a bullet speeds through the air at about 1,700mph.  When Juno enters orbit, she’ll encounter more radiation than any technology we’ve ever built.  Background radiation on earth is about .39RAD.  In orbit around Jupiter it is about 20,000,000RAD.  You can listen to a hint of this hellish nimbus here.

read on!

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The Extinction of the Future — Larval Subjects .

Perhaps everything changes in the nature of our philosophical questions, in the nature of the aims and ends that might animate us, when the future dies. We need not think this extinction of the future in terms of Brassier’s crushing thought of the extinction of the universe due to heat death as the outcome of […]

via The Extinction of the Future — Larval Subjects .


 

I must have half a dozen posts on this. I was wondering if anyone else felt this way. Here are links to three of them.

Posterity: Art and the Artist in a post-capitalist world

Imagining Posterity

The Malevolent Desire for Recognition