E for Red Emma, Anarchist True! #862

11″x 15″ watercolor, ink

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View more work at <a href=”https://www.saatchiart.com/goby”>Saatchi Art</a>,  and on my web portfolio: <a href=”http://Art-By-WILLARD.com/”>ART BY WILLARD</a> For photos on this blog, click MY ART on the right panel and scroll down.

The Language of Art

I was going over a Lifeprint ASL lesson, and was stopped cold with an imaginary question… I mean, question that only an act of imagination would answer.
I heard a voice when I read when I was a kid–maybe because i learned to read sitting on my aunts lap when she read to me–it was not my voice, it was the voice of the book.
Someone who has never heard, learns to read English (or other spoken language) as a second language. Reading, at first–for a native signer, would be translation from sign–until they were fluent readers.
This is what I was trying to imagine–what form do the written words take, when you have never heard them? Deaf readers achieve a reading, and writing fluency well beyond any that it’s like, when one is first learning to read a second language–it’s not translation. But what then is the relation to signing?
This is a startling thought… that there must really be comprehension that is meta-language–meaning, that finds itself in word, or signs, but is not identical with word or sign. A primacy of meaning before language.

Why does this seem so incredible to me?

Does this suggest that there is a language beyond language,  that underlies all other forms of communication: I think of how animals communicate. I think of music: dancing… of all the arts.

 

#859

This counts as an almost.  15″ x 22″ Watercolor, pen and ink.  I blacked out the “trees” in the foreground. Really did NOT work. Turned the paper over and painted #860 on the other side. But the cityscape part, I liked, and will try that again. It’s closer to traditional watercolor  technique than what I’ve been doing, and maybe good for a transition to try some plein air painting.  Have been thinking  how I could do plein air landscapes, or street scenes–but abstract.

 

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Artists against Capitalism!

Why is it so hard to find committed, radical/anarchist artists–committed, both to making art, AND to working together to find ways to make art outside the capitalist, gatekeeper, gallery to investor system? Cause no one can do this alone.
One of the factors in what makes me so discouraged, and depressed in my efforts to make art.

It can’t be just talk. It has to be action–discovering, creating through action. It has to begin with saying: we can’t do this anymore! We can’t work within the system anymore! Enough!
And then–looking at what we CAN do–and doing it!

Though the material and social problems involved are unique to each medium and form–this is something that should be addressed by artists of all kinds–dancers, theater people, poets, musicians –together, as a collectivist work.