American Dystopia: The Empire of War

S.C. Hickman's avatarThe Dark Forest: Literature, Philosophy, and Digital Arts

Capitalism and neoliberalism carry wars within them like clouds carry storms.

—Éric Alliez and Maurizio Lazzarato, To Our Enemies

Henry Miller the ex-patriot who would return to his native land just before the rise of Hitler had a glimpse into the heart of the American Dystopian world when he glimpsed from his ship the coastal regions of Boston:

The American coast looked bleak and uninviting to me. I didn’t like the look of the American house; there is something cold, austere, something barren and chill, about the architecture of the American home. It was home, with all the ugly, evil, sinister connotations which the word contains for a restless soul. There was a frigid, moral aspect to it which chilled me to the bone.1

What Miller discovered in his trip across the vast continent of his native land was a dystopian nightmare. He’d fought out of it ten years before…

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#619

20″ x 16″ Acrylic on canvas
There’s no message here. Just colors. Useless… because, to pursue what is of no use, in a world where nothing is valued, and everything is used…a world where Death, with all leaders and all parties as its agents,  uses us all, this, in itself, is an act of defiance and rebellion.
619

View GALLERY HERE./>

This is my faith: bones of a Radical Manifesto

Nothing here about petitions, phone calls or emails to “leaders” begging them to do something for us. Or supporting candidates. Or elections. This is a radical agenda. The simplest outline of a Radical Manifesto. The basics. No NGO’s. No Gov. approved non-profits. Go where permit and license not needed–or if they are, do without, and call it Resistance. Start with the basics. The foundation. Work for change from there.
—–
In these dark times–what can we do in the world?
Ask … what matters, always, everywhere?
Food.
Medical/health care.
Shelter/clothing
Education (in the broadest sense)
… and the arts: poetry, dance, music, the visual arts… because without language that has the power to remind us how to be human–we are lost.
Imagine, then, what each of these might be in the world we want to live in.
Join hands with someone. Together, begin to clear some space, small or large, for that to happen. To plant the seeds, that will become our garden… the garden we thought had been lost to us forever.
If your hand is empty now–if you are not within reach of someone whose hand you know you can grasp–acting in resistance and solidarity to make that world… how could one not but feel helpless? And if you feel helpless–so does someone else.
Find them…
They need you, as you need them. Believe in yourself–that they need you, as you need them!
Speak up. Reach out. When we find one another, we will know what to do. Trust that this is so.
That is my faith.

Scrimmage of Appetite, or: Born 103 Years Ago Tomorrow — BLCKDGRD

THE HEAVY BEAR THAT GOES WITH MEDelmore Schwartz“the withness of the body”The heavy bear who goes with me, A manifold honey to smear his face, Clumsy and lumbering here and there, The central ton of every place, The hungry beating brutish one In love with candy, anger, and sleep, Crazy factotum, dishevelling all, Climbs the building, kicks the football, Boxes his brother in…

via Scrimmage of Appetite, or: Born 103 Years Ago Tomorrow — BLCKDGRD

#616

34″ x 26″ Acrylic & strips of canvas on Masonite.
This has been sitting in the basement for months. I’d glued strips of canvas to the Masonite, rolled on both black and white gesso, thinking this would be a B&W piece (See HERE) Last night, 2:30 AM, I went down to the basement; all I wanted to do, was cover the B&W, which wasn’t working. This is what happened.
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View GALLERY HERE.

#615

30″ x 24″ Acrylic on canvas. This wasn’t what I had in mind, went off in another direction…in the best way–leaving the imageless, generative vision that was driving me, still alive, still working. I think there may be a few more pieces happen before it’s exhausted.

This took four days… would have taken months to do in oil. So many layers, having to leave each to dry before adding the next. With acrylic, I could do 3 or 4 layers each day. Layers and detail.
615

View GALLERY HERE.