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Slavoj Zizek: The Question of Potentiality and Virtuality
The Dark Forest: Literature, Philosophy, and Digital Arts
Throughout the corpus of his writings Zizek will return to one central or core theme: the Hegelian notion of “Substance as Subject”. I decided to gather a few entries as a way of getting a handle upon this thematic. Yet, this notion seems to be bound up with the difference between potentiality and virtuality, along with his concept of retroactive causation.
from Less Than Nothing
For we Hegelians, the crucial question here is this: where does Hegel stand with regard to this distinction between potentiality and virtuality? On a first approach, there is massive evidence that Hegel is the philosopher of potentiality: is not the whole point of the dialectical process as the development from In-itself to For-itself that, in the process of becoming, things merely “become what they already are” (or were from all eternity)? Is not the dialectical process the temporal deployment of an eternal set of potentialities…
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Form, Content, and Transformation
The difficulty is that it is the form or structure, not the content, that must be transformed to produce genuine psychodynamic or political transformation. One might believe that they’ve produced a radical transformation by switching from donuts to coffee, but both are still toruses. The structure remains the same. This was the criticism of Soviet style socialism. At the level of content it had changed the nature of distribution, but structurally, in its reliance on the Fordist factory model, it still had the same structure or form of alienation. Similarly, one does not undermine patriarchy simply by putting a woman in charge. Patriarchy is not defined by its content– a particular gender occupying the position of power –but by its structure: an autarch at the top structuring social relations. It’s that structure that has to be addressed, not the organ of a person that occupies a particular point in a…
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The Artist’s Eye: Photographs to Inspire
I need a camera so I can take pics of broken concrete, worn street pavement–for the series I’m working on. Theyre not representational, but improvizations of the patterns and tonal variations I see. I have a few pen and inks here on my blog, but no paintings yet (again, no camera). I do three sets: a pen & ink (and maybe watercolor), a woodcut, and an acrylic painting/mixed media. This photo of rocks is the kind of thing that captures my attention and makes me want to linger and explore with my eyes–which is what I hope viewers of my art will want to do with the pieces I make.
My artist’s eye is quick to see what my friends and family often miss. I imagine you can relate! The artist’s eye never slumbers, never pauses. Throughout the day, all day long … its constantly searching…. for textures, colours, shapes, lines, patterns and tones.
Beach Rock Textures, Esperance W.A. debiriley.com
Maybe that explains why some are just a wee bit tired at the day’s end, we’ve been very busy. Doing double duty!
Texture in Nature Photographs
I love the way the rocks and escarpments create textured craggy faces against the sky, and how different trees have such unique textures to their bark. Angophora with their cobalt violet skin and dimples, cedar with their maroon and burgundy scales, scribbly gums with the graffiti written all over their trunks. My friends and family generally, don’t really notice such things. But I’m always looking for “Painting” subjects and ideas!
I admit, I can…
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Spring in the Cemetery
At the time of writing, it’s been a very dry spring. It’s looking more like second fall around here. The Noodler’s Red Black and Rome Burning I’ve been using lately are really helping with that fall color feeling.
Here’s some sketches from the smaller of our neighborhood cemeteries: Notre-Dame-des-Neiges.
These are sketched in a Moleskine Folio Watercolor Album, (11.75 x 8.25″) – which is a beautiful book, with this very wide format. But it is frankly just a little bit too large for every day use. It takes up a lot of room in a bag, and I’d definitely consider a backing board and bulldog clips to hold it open when drawing. It wants to flop around, fall off my knees, or otherwise behave badly. I’m starting to think that a book bigger than you can easily hold in one hand calls for an easel for sketching. But if I was going to do that I’d just paint…
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Zizek: Anti-realism and Retroactivity
The Dark Forest: Literature, Philosophy, and Digital Arts
The key philosophical implication of Hegelian retroactivity is that it undermines the reign of the Principle of Sufficient Reason: this principle only holds in the condition of linear causality where the sum of past causes determines a future event— retroactivity means that the set of (past, given) reasons is never complete and “sufficient,” since the past reasons are retroactively activated by what is, within the linear order, their effect.
– Slavoj Zizek – Less Than Nothing: Hegel and the Shadow of Dialectical Materialism
Graham Harman’s first book Tool Being takes note of Zizek’s concept of retroactive causation saying:
The present book roughly accepts Zizek’s concept of retroactive causation, though without accepting the attitude of “deflationary realism” with which Zizek frames this concept. In the end, his problem will turn out to be that he restricts retroactive causation to a narrowly human realm, and orbits around the same unique gap between human…
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Mother’s Day: Mary Johnson, crow quill pen & ink. Bass Lake Outlet, Mason County Michigan
Nick Land: Phyl-Undhu: Abstract Horror, Exterminator
The Dark Forest: Literature, Philosophy, and Digital Arts
Utter nullity. In the words of the ancient sages of ruined Ashenzohn, it was the endlessness that ends in itself. Dark silence beyond sleep and time, from whose oceanic immensities some bedraggled speck of attention – pulled out, and turned – still dazed at the precipitous lip, catches a glimmer, as if of some cryptic emergence from eclipse. Then a sound, crushed, stifled, broken into gasps. Something trying to scream …
What do you fear most? What lies in the shadows of your thoughts like a lost memory on the edge of oblivion? In the long night of our despair the slow realization awakens out of the outer silences: the ‘Thing’ we fear most, the monstrous truth that will not go away is that we are alone in a universe that neither cares about us nor even acknowledges our existence. That behind the dark screen of the…
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Wolves on Isle Royale

Wolves almost gone on Isle Royale from Michigan in Pictures.
Albertine Asleep
A reading (English) of an exert, on THIS SPACE.








