WATERCOURSE

onceuponanape's avatarThe Raven's Nest

STATUE BY Linda Bergkvist PHOTOGRAPH BY A.D. STATUE BY Linda Bergkvist
PHOTOGRAPH BY A.D.

Listen now to the wind, babe
Listen now to the rain
Feel that water lickin’ at my feet again
I don’t wanna see this town no more
Wastin’ my days on a factory floor
First thing you know I’ll be back in Bow River again

Anytime you want babe, you can come around
But only six days separates me and the great Top End
I been working hard, twelve hours a day
And the money I saved won’t buy my youth again
I’m goin’ for the heat babe, and the tropical rain
In a place where no man’s puttin’ on the dog for me
I’m waitin’ on the weekend, set o’ brand new tyres
And back in Bow River’s just where I want to be

Listen now to the wind, babe
Listen now to the rain
Feel that water lickin’ at my feet…

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Plateau Infini: Capitalism & Schizophrenia in the 21st Century

larvalsubjects's avatarLarval Subjects .

I’ll be giving a seminar on Deleuze and Guattari’s A Thousand Plateaus through The New Centre beginning October 13th.  Enrollment is open to anyone.  Come join us!  Enrollment information can be found at The New Centre website.

Deleuze and Guattari were exceptional among the French thinkers of 1968: they did not embrace the linguistic turn, correlationism or anti-realism, nor did they champion social constructivism. Rather, they developed a robust realist and materialist naturalism that spoke profoundly to science, ethics, art, and politics. However, the realist singularity of their thought in a setting dominated by anti-realist, linguistic idealism has often been overshadowed by attempts to assimilate their work to postmodernist thought. With the advent of New Materialism and Speculative Realism, it has become possible to read their thought anew through a realist lens. Through a close reading of A Thousand Plateaus, this two-part seminar does just that.

Part 1 is…

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Deleuze & Guattari: The Eternal Return of Accelerating Capital

Suggest reading this with Park McDougald’s The Darkness Before the Right

“We’ve been serving as appendages for a machinic civilization for quite some time now, and yet we continue believing that the machines serve us rather than the other way round. In this sense capitalism’s basic principle is machinic: it’s sole purpose is to evolve its own machinic civilization, which includes slowly divesting itself of its organic systems as a part of this ongoing project. We are slowly being excluded from this vast machinic civilization that we once thought served our desires, instead it has its own desires and needs; and, these desires and needs are not human ones, never were. We’ve been giving birth to our own Frankenstein. And as in that parable the prognosis is not good for humanity.”

S.C. Hickman's avatarThe Dark Forest: Literature, Philosophy, and Digital Arts

chaosmos

Capitalist production seeks continually to overcome these immanent barriers, but overcomes them only by means which again place these barriers in its way and on a more formidable scale. The real barrier of capitalist production is capital itself.
……………– Karl Marx, Capital

the civilized capitalist machine

“The only universal history is the history of contingency.”1

In developing their theory and the practice of decoded and deterritorialized flows Deleuze and Guattari will surmise that capitalism in its present form may be the exterior limit of all societies (p. 230). They’ll go on to tell us following Marx that  “capitalism for its part has no exterior limit, but only an interior limit that is capital itself and that it does not encounter, but reproduces by always displacing it” (p. 231). So that this continuous cycle of schiz and flow from break to barrier and return through the movement of displacement “belongs essentially to…

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Conceptual Personae

larvalsubjects's avatarLarval Subjects .

image002Every philosophy is populated by a conceptual persona that functions as its transcendental unity of apperception or the principle by which it is struck by questions and problems and through which it forges and links concepts and grasps phenomena.  That persona might be the scientist, the priest, the artist, the doctor, the analyst, the revolutionary, the dancer, the judge, the vulnerable person, or any number of others.  New ones are always being invented.  Questions and problems flash into being in response to the subject or persona.  Concepts are created and linked in new ways.  Phenomena become visible or invisible.  The subject of a philosophy is not the philosopher, but rather the conceptual persona.  Indeed, the philosopher is often horrified by the conceptual persona that inhabits the philosophy she gropes towards and the becoming into which it draws her despite herself.

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Goby’s Journal

Goby’s Journal
I woke this morning with a thought that this would be a good day to visit the art museum. But my foot is still not ready, and …. the Pope.

Wondering though the rooms and corridors of a museum, one bathes in the illusion that all this matters. That art is important and valued in the world. The museum is there to make you feel that.

It’s not true, you have to remind yourself. It feels so good to believe it… but it’s not true.

Giordano Bruno: The Lucretian Revival and Epicurean Materialism

S.C. Hickman's avatarThe Dark Forest: Literature, Philosophy, and Digital Arts

GiordanoBruno

Slowly but surely gathering pieces of a puzzle together stretching from the early rise of scientific culture and the different threads of an energetic materialism that would inform such later thinkers as Schopenhauer, Nietzsche, Freud, Bataille, Deleuze, Land and others. More and more the Renaissance revival of learning and translation of ancient Greek and Roman texts would form the basis of what we would come to know as Modernity. This is all fairly well scoped out through many histories, science studies, biographies, philosophical studies of the various eras. Yet, it does seem that certain individuals became catalysts within this emergence of science. Giordano Bruno beyond Copernicus and the other usual suspects seems a part of this inner thread of influence.

Stephen Greenblatt in his study of the emergence of Lucretius into scientific culture would attest to Bruno’s importance, saying:

One answer in the sixteenth century was a diminutive Dominican monk…

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