#1042 Fractures!

48″ x 36″ Acryilic on synthetic canvas. I found this ‘canvas’ on the street–someone who had moved. Very little tooth. those corrugated rectangles were glued fast, couldn’t remove.  Likely some commercially mfd ‘home decor,’ someone had covered over, intending to paint over.#1042

View more work at Saatchi Art, and on my web portfolio: ART BY WILLARD For photos on this blog, click MY ART on the right panel and scroll down.

Ten Years Ago, May Day….

Walking stick.JPG

… in Baltimore, after street theater by Media Mobilizing Project at the inner harbor, I followed the march to City Hall, led by a band with a New Orleans sound, shedding bits of costume and streamers along the way. At some point I picked up some ribbons and feathers, and tied them to the tree branch walking stick I was carrying.

It was magic.

In the days and weeks that followed, I began to add to the stick, things I found on the street: ribbons, strings, can tabs…

It changed my life.

I lost that one, my Shaman Stick… and almost every year since, would lose another one. Reading on the bus or El, lost in my thoughts. Each time–back to Morris Park to find another branch. Dress it in what I would find, or people would give me to hang on it.

This is the one I carry now. The sixth or seventh one… I lose count. I mended it when it broke.. like my own broken leg. Screwed metal strips to hold he break. Wrapped strips of canvas, soaked in Modpodge, around the wound. Like a permanent cast (the orange band in the middle).

At some point, as I add Found Things to each new stick, the magic of the first one–the Shaman Stick–finds it’s way to the new one. I don’t usually take it with me to demonstrations… Cops. But I did today… and on the way home, remembered… that it’s been ten years. May Day.

Magic is real.

 

Only in being useless, does it have infinite value.

#461 afterwords

I deplore the use of false comparisons to scold or draw attention to this or that problem, versus another, perceived to be of lesser importance. These all presume some zero-sum equivalence, where there are insufficient resources, material, economic or social, to attack both, when, if this is so, it is only because this presumes a status quo of capitalist, political conditions, where the the application of resources to ANY given problem, will result in withholding resources from another–maintaining an equilibrium of injustice.
All these–“why are you asking to give to x, and not y?” in that larger context, are false equivalences, and if that logic applied to anything, it would be, ‘why are you asking to devote resources to x, when the only thing that’s going to matter in not so distant future, is climate change?”
The real question for any problem, is how do we apply our resources in such a way that it will address the root causes for all these problems–overcoming and replacing the entire capitalist political/ecomomic/social/military/colonialist system? How do we CHANGE the role played by each and any of the specific problems, in that system?.
Understanding the importance of the arts and its products–other than in terms of use-value, and propaganda, is particularly vulnerable. It is precisely in their HAVING no use value, that they confirm that our lives have meaning in our otherwise doomed and absurd world.

#1025 Stonewall at 50

30″ x 48″ (77x122cm) Acrylic on canvas. For the Stonewall 50th anniversary Invitational
in June. Marsha P. Johnson, Jackie Hormona, Zasou Nova, Marty Robinson, Morty Manford, Robin Souza and Silvia Rivera: names engraved in this painting, some visible, some not, but all–and all who joined the uprising,  present in love and gratitude for their courage and rage.

#1025 Stonewall50.JPG
View more work at Saatchi Art, and on my web portfolio: ART BY WILLARD For photos on this blog, click MY ART on the right panel and scroll down.

#1020 Names

No. 2 study for a larger piece commemorating Stonewall at 50. Names of Marsha P. Johnson,Silvia Rivera,Jackie Hormona,Zasou Nova, Marty Robinson, Morty Manford, Robin Souza.
#1020 Study 2 Stonewall names.JPGView more work at Saatchi Art, and on my web portfolio: ART BY WILLARD For photos on this blog, click MY ART on the right panel and scroll down.

Four studies for a larger work

I’ve been asked to contribute a piece for a show commemorating the 50th anniversary of Stonewall. I want to do justice to the theme. I’ve been giving this a lot of thought, using the techniques I’ve been developing recently, but on a larger scale. Don’t want to say too much about them, but here are 4 –very much in-progress studies–experimenting with surface textures.
Stonewall studies.JPG
View more work at Saatchi Art, and on my web portfolio: ART BY WILLARD For photos on this blog, click MY ART on the right panel and scroll down.

 

#381 Self Portrait

I pulled this from the basement, thinking I’d paint-over it, but seemed worth saving. I added hand prints–which I’d thought about doing when I made it. So this is 2015 to 2019 vintage. 25″ x 29″ (63×73) Acrylic on canvas
#381

View more work at Saatchi Art, and on my web portfolio: ART BY WILLARD For photos on this blog, click MY ART on the right panel and scroll down.