22″ x 20″ Black acrylic, white gouache, watercolor, pen and ink on 140 lb cold press Fabriano paper .
I’m turning to the idea of titles that simple reflect my mood, or extraneous thoughts at the time; these may or may not be descriptive of the work. In this case, the title appears in the painting, but so does ‘Train Wreck,’ ‘Sing,’ and several letters and numbers. As long as Trump is in the White House, and until we have a real revolution — I might name all my pieces, “Smash the State.”

Category: Art
#156 Recyclamation = Tear it Down & Remake the World!
25″ x 29″ from May, 2013. Acrylic, string, thread, roofing, street dirt, can lids on cardboard on chipboard. Tear it all down, and remake the world!


View GALLERY HERE.
#635 AntiFA #6
7″ x 5″ Watercolor, ink. Deep State decoded


View GALLERY HERE.
Theatre Resistance Plan, 2017 – 2020
There is no more powerful tool for changing ideas, shifting cultural zeitgeist, and resisting authoritarianism than art. While theatre is not the biggest bat artists wield, our impact on the culture is not nil, especially if you include community theatre and school plays, and we must. Resistance to the Trump regime is the most crucial political battle of our lifetimes because this regime– and the zeitgesit behind it– stands to undo progress in every area of our society. Trump, Pence, McConnell, Ryan et al are actively seeking to impoverish you to enrich themselves, roll back every civil rights and workers’ rights gain of the past 100 years, eliminate every consumer protection, eliminate the social safety net, and pretend you begged them to do it. It’s telling that the very first appointee of the incoming administration was an amoral white nationalist, and the very first act of the new Congress was…
View original post 2,806 more words
#92 Beauty is Where you Find It
Another older piece, an assemblage of debris found on the street around the Ox, the collective warehouse in Kensington, where I lived in 2012. This isn’t a celebration of decay–but of what I imagine we must do: reclaim from the ruins of capitalism, a vision for a new world!
(I don’t want to call these ‘assemblages’ anymore. My motives are not those of Rauschenberg, who I think, was the first to use that term. I don’t use ‘everyday objects,’ I use debris, the decay of consumerism, and my purpose is transformation. I was thininking: reclinations, a portmanteau or transformation, and recycle.
It would be nice if I had photoshop, and could make the background neutral.)

View GALLERY HERE.
Titles
I’ve started adding titles to my work.
No, these titles weren’t on my mind while I was making these pieces. They’re partly tongue in cheek… but only partly so. While I don’t think metaphorically when I work–don’t think in words much at all, beyond… “where did I leave the cap to the cadmium yellow?” … I feel, deeply so, the conflict between what it means to make art in this time, feel deeply the impossibility of escaping the grinding jaws of capitalism that inevitably turn whatever an artist does into a commodity, reduced to exchange value. There’s no escape — the most explicit anti-capitalist, revolutionary call to arms–can expect no better fate, its message reduced to a decoration on some wealthy collectors wall. Better oblivion. Better to burn them all.
…better still… to do what I’m compelled to do.
I will not give anyone else the power of judgement over my work. If you think my art merely decorative, serving no revolutionary purpose… these titles express something of why I think you are wrong. To explore the pleasures of the eye–with a clear conscience, does mean having that eye turned to the future–to a world on the other side of capitalist domination and all the evils sheltered within it–a world whose form we cannot yet imagine, let alone see.
This is a conflict rooted deep in my heart and thoughts, it fills my perception of everything in this present world. I do hope… whether I’m successful or not… that the visual pleasures of my art, however slight, may in some way keep alive the faith… that there exists more than what we see now, keep alive the hope of revolution, faith in what we will build when we are free from these Empires of Money and Death.
So yes, the titles are a kind of joke… but serious joke, nonetheless.
#634
22″ x 22″ Acrylic on panel board: Queer Hero Riding a Bull with Yellow tail, rescuing Color from the Dark Night of Capitalism!


View GALLERY HERE.
Beyond numbers, cause somewhere lurking in whatever drives me to make these pieces there’s a mythological convergence of self and world, waiting to hatch from the egg of True Desire.
#633
15″ x 32″ Acrylic on canvas board on plywood. Joy & Liberty in a bloody battle for the Future with the deadly tentacles of Capitalism. (… my spell check wanted to make that, ‘testicles’ — works about as well. 15″ x 32″ Acrylic on canvas board on plywood.


View GALLERY HERE.
#632 What Strangeness Near
7.5″ x 11″ Watercolor, ink. Plain yellow ochre, in assoication with these colors, particularly the grays, looks like metalic gold, for real, not just the effect of the photo. Am I then, an alchemist? Have I managed to turn earth to gold?


View GALLERY HERE.
#631 More Truly & More Strange
7.5″ x 11.75″ Watercolor, ink, White gel pen


View GALLERY HERE.