22″ x 20″ Black acrylic, white gouache, watercolor, pen and ink on 140 lb cold press Fabriano paper .
I’m turning to the idea of titles that simple reflect my mood, or extraneous thoughts at the time; these may or may not be descriptive of the work. In this case, the title appears in the painting, but so does ‘Train Wreck,’ ‘Sing,’ and several letters and numbers. As long as Trump is in the White House, and until we have a real revolution — I might name all my pieces, “Smash the State.”

Author: wjacobr
Metaloid Dreams of Mutant Intelligences
Capitalism itself is this beast of purity spread across the face of the earth like an omeba, gobbling everything in its path, immolating the commodities and resources of the planet to the futurial disciplines of technics that have yet to find their slime festivals embarkation.
The Dark Forest: Literature, Philosophy, and Digital Arts
Cioran quotes Lao Tsu’s maxim ‘the intense life is contrary to the Tao’, and compares the tranquility of the modest life with the thirst for annihilating ecstasy that has possessed the Western world. However, acknowledging the compulsion of his Occidental heritage, he remarks ‘I can pay homage to Lao Tsu a thousand times, but I am more likely to identify with an assassin’. Our culture, he argues, is essentially fanatical.
—Nick Land, Fanged Noumena: Collected Writings 1987 – 2007
Strip the world of its illusions and delusions and you’ll only hasten the suicidal tendencies we’ve already as a species acquired. Predatory though we are, we are more prone to annihilating ourselves in a bout of self-mutilating hatred and pure religious fervor than not. Religious dogmatism – and, I count the Secular Church of Atheism in this – is the cornerstone of an anthropathological condition that breeds purity as the obliteration of…
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Black Block!
Breaking windows and burning limos isn’t in itself, revolution, but those humans out there on the street, those multi-pronouned humans all in black, with their AntiFA flags, were doing important work for the revolution to come. That kind of action doesn’t build alternative structures, but they demonstrate what courage looks like, and their actions FUCK the taboo around property. How do we destroy capitalism if we are horrified at breaking a fucking window!?!
We can’t build a new world, the world we want, with the old rules and laws and taboos. Those are all there to protect the wealthy, to suck wealth from the masses, to oppress and destroy marginalized people and all who oppose them.
Fuck their rules! Fuck their taboos, their laws–all of which must be be judged by their consequences, and by nothing else! The rules and laws were made by humans; humans can accept or discard or make them new, as is fitting and just for all!
The Black Block today were out there breaking, not just windows, but the cordons of our thinking, of how we perceive our present world, burning the effigies of Property! I tip my hat to them–and thank them. I call them, Comrades!
Solidarity! Love! Imagination! RESISTANCE!

#156 Recyclamation = Tear it Down & Remake the World!
25″ x 29″ from May, 2013. Acrylic, string, thread, roofing, street dirt, can lids on cardboard on chipboard. Tear it all down, and remake the world!


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#635 AntiFA #6
7″ x 5″ Watercolor, ink. Deep State decoded


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Theatre Resistance Plan, 2017 – 2020
There is no more powerful tool for changing ideas, shifting cultural zeitgeist, and resisting authoritarianism than art. While theatre is not the biggest bat artists wield, our impact on the culture is not nil, especially if you include community theatre and school plays, and we must. Resistance to the Trump regime is the most crucial political battle of our lifetimes because this regime– and the zeitgesit behind it– stands to undo progress in every area of our society. Trump, Pence, McConnell, Ryan et al are actively seeking to impoverish you to enrich themselves, roll back every civil rights and workers’ rights gain of the past 100 years, eliminate every consumer protection, eliminate the social safety net, and pretend you begged them to do it. It’s telling that the very first appointee of the incoming administration was an amoral white nationalist, and the very first act of the new Congress was…
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#92 Beauty is Where you Find It
Another older piece, an assemblage of debris found on the street around the Ox, the collective warehouse in Kensington, where I lived in 2012. This isn’t a celebration of decay–but of what I imagine we must do: reclaim from the ruins of capitalism, a vision for a new world!
(I don’t want to call these ‘assemblages’ anymore. My motives are not those of Rauschenberg, who I think, was the first to use that term. I don’t use ‘everyday objects,’ I use debris, the decay of consumerism, and my purpose is transformation. I was thininking: reclinations, a portmanteau or transformation, and recycle.
It would be nice if I had photoshop, and could make the background neutral.)

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Titles
I’ve started adding titles to my work.
No, these titles weren’t on my mind while I was making these pieces. They’re partly tongue in cheek… but only partly so. While I don’t think metaphorically when I work–don’t think in words much at all, beyond… “where did I leave the cap to the cadmium yellow?” … I feel, deeply so, the conflict between what it means to make art in this time, feel deeply the impossibility of escaping the grinding jaws of capitalism that inevitably turn whatever an artist does into a commodity, reduced to exchange value. There’s no escape — the most explicit anti-capitalist, revolutionary call to arms–can expect no better fate, its message reduced to a decoration on some wealthy collectors wall. Better oblivion. Better to burn them all.
…better still… to do what I’m compelled to do.
I will not give anyone else the power of judgement over my work. If you think my art merely decorative, serving no revolutionary purpose… these titles express something of why I think you are wrong. To explore the pleasures of the eye–with a clear conscience, does mean having that eye turned to the future–to a world on the other side of capitalist domination and all the evils sheltered within it–a world whose form we cannot yet imagine, let alone see.
This is a conflict rooted deep in my heart and thoughts, it fills my perception of everything in this present world. I do hope… whether I’m successful or not… that the visual pleasures of my art, however slight, may in some way keep alive the faith… that there exists more than what we see now, keep alive the hope of revolution, faith in what we will build when we are free from these Empires of Money and Death.
So yes, the titles are a kind of joke… but serious joke, nonetheless.
#634
22″ x 22″ Acrylic on panel board: Queer Hero Riding a Bull with Yellow tail, rescuing Color from the Dark Night of Capitalism!


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Beyond numbers, cause somewhere lurking in whatever drives me to make these pieces there’s a mythological convergence of self and world, waiting to hatch from the egg of True Desire.
#633
15″ x 32″ Acrylic on canvas board on plywood. Joy & Liberty in a bloody battle for the Future with the deadly tentacles of Capitalism. (… my spell check wanted to make that, ‘testicles’ — works about as well. 15″ x 32″ Acrylic on canvas board on plywood.


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