19 x 19 cm. Ink wash, pen & ink, watercolor


View portfolio here ART BY WILLARD
For photos on this blog:CLICK HERE, and scroll down.
19 x 19 cm. Ink wash, pen & ink, watercolor


View portfolio here ART BY WILLARD
For photos on this blog:CLICK HERE, and scroll down.
View portfolio here ART BY WILLARD
For photos on this blog:CLICK HERE, and scroll down.

Managed to do food shopping yesterday afternoon. Coughed all the way there and back. Once in the store, warm air, I was fine. Wore me plum out. I started off to an Icarus meeting later… got about a block, turned around and came home.
Looong nap today after sleeping late. If I were one of those 19c English poets, I’d be one of em who spent winters in Italy for my lungs.
Any wonder that Winter appears in my poems as Death? If she sometimes appears as a temptress, it’s only because I do find beauty in winter.
I wish I could find a publisher for Chronic, Chronos, Kairos
January 20, 2011
I smiled when winter came to call…
…thinking she’d spared the worst. Ho HO, he said. Her teeth (where I’d thought, Ice) were coals. Two starving sparrows for his eyes. Dream on! she said, & blew into my mouth & touched
her fingers to my lips, caressed my lungs
& took my breath away and tossed it to the wind!
LAUNCHED!
My new web gallery. Check it out!
Meanwhile, here’s two kitties. #599. Pen & Ink, and ink wash. 16.5 x 45.7 cm

4.5″ x 5″ watercolor, ink. another mini. these sorta happen by magic.

View portfolio here ART BY WILLARD
For photos on this blog:CLICK HERE, and scroll down.
I’ve been thinking about the art I’ve doing. About large pieces and small. The intimate abstractions, water color and ink–like the one at 3rd Street Gallery.
Why would I want to make larger pieces? They are the ones most easily absorbed and used. No mater how wild, how strange. They function as ‘public art,’ even when they’re not. No.
The small pieces–they don’t offer confirmation on that level–confirmation of the Great Social Delusion. They speak to the recesses of mind and heart, the incessant stirrings, the disquieting energy that moves behind the surface.
I started two more tonight. Between coughs, catching my breath. It even felt I could breath a bit easier, having done them. Tomorrow, begin another and finish these. February, day 3.
Go see my piece at 3rd Street tomorrow Let me know what you think
5″ x 4″ Watercolor, ink. One of the pieces I started last night.
No longer available.

View portfolio here ART BY WILLARD
For photos on this blog:CLICK HERE, and scroll down.
8″ x 7″ Watercolor, ink, smudge of ash from burnt Buddhist paper Breaking the Coils of Desire.
View portfolio here ART BY WILLARD
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#637 8″ x 5″ yellow-green green, blue, gray, black. Watercolor, ink

#638 8″ x 5″ yellow-green green, blue, gray, black 2, watercolor, ink

View GALLERY HERE.
As I walked to the super market, I wondered what would happen if I were arrested, sentence to years or life (which wouldn’t be that long for me) in prison? I kept thinking about Murphy Cat and Merlin. Who would take care of them? And if I were to be released in a few years… would they know me? Would they be angry with me? Would they think that I’d abandoned them?
Of such thoughts are daydreams made in a Fascist State.
I think… these are going to be terrible times. Many of us won’t survive. If we are serious about resistance–about what it is we’re fighting, we have to accept that, as any soldier who goes into battle has to accept what may come. As the soldier finds courage and strength in mutual care of their comrades, so too, we need to draw strength from our comrades–by caring and supporting them, by being willing to lay our lives on the line that some us, at least, will survive. That some of us may live through these day or years to take up the never finished task, of making a humanly habitable world for all.
Life Drawing (A3 charcoal 2016)
In his seminal book, Ways of Seeing, the great – and now late – John Berger attempted a new way of looking at art. His low budget television series of the same name (which can be found in its entirety on YouTube) had one eye on Sir Kenneth Clark’s much better funded Civilisation when it turned its attention to the matter of having no clothes on.
‘To be naked is to be oneself,’ said Berger, ‘To be naked is to be without disguise…To be nude is to be seen naked by others and yet not recognized for oneself. A naked body has to be seen as an object in order to become a nude…Nakedness reveals itself. Nudity is placed on display.’
The nude is a commodity, often commissioned by men, which Berger captured succinctly when he said, ‘You painted a naked woman because you…
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