The interface between making art, and making a living, is the most politically charged area in the life of any artist. This is where the artist engages most directly with the monster of capitalism and Empire, both as a maker of art, and as a citizen of the human community. I don’t understand why so many artists are so reluctant to seriously engage with the problems we face in this arena. This is something I’ve been thinking about — for years, and yet, the most typical response I get from working artists: on commodification of our work, on how to live by our art, of the corrupting influence of investor driven gallery gatekeepers–is a curt dismissal, as though I were an impertinent 12 year old. “I need to make a living–what am I supposed to do?” But of course, never asked as a serious question.
And of course, I have no answer. No one person does, because it’s not the kind of question that any individual can answer alone. —Artists have to figure out–together–how to control the outcome of our work–or we will be controlled and used to the ends which the Empire of Money and Death sees fit.
First–acknowledge the problem. Then, pledge to work together to applying ourselves to find cracks in the walls where we can expand and live. We cannot continue to be artists under capitalism. Because, under capitalism, we will only be permitted to do what supports capitalism–that is, no longer artists, but technicians of the machine, and entertainers, distracting the masses.