View GALLERY HERE.
Preparing for the A-Space show–giving a lot of thought to how I want to organize it. My work tends to migrate toward these broad, thematic areas–I hope to make this clear in my arrangements. I want to help people see what I’m doing, without overcoded interpretations.
CHROMATICS & INVERSIONS:
Color exercises: watercolor or acrylic in inverted pairs– tone and colors (dark to light, light to dark): hue to complimentary hue (opposites on color wheel). Playing with color, like musical variations on a canon.
A new series in progress: from Plein Air street sketches to finished work, acrylics, assemblages & other media. Only 3, maybe 4 finished so far, but will tape the sketches to the wall around them to show the relationships.
Series in several mediums, drawing on patterns and textures of pavement and streets.
RHIZOMATICS! Cells, Maps, Words
The first art I got paid for was in a class on comparative embryology; Professor paid me for crow quill pen and inks–microscopic slides of chick embryos. This is a Series in several mediums, inspired by photos in an histology text book. Free renditions, patterns and lines of communication— in no way meant to be biologically accurate illustrations! There’s a visual affinity for me between these and MAPS, and WORDS.
Arrangements of Found Things, street trash, dirt, broken glass—the detritus of Late Capitalism—discarded identities in search of new relationships.
Human Arboreal Intercourse
I don’t work from an abstract concept of the theme… more something that develops from a primarily visual interest.
There may be crossovers for any of these.