“Bio Filters,” posted on DeviantArt, speaks to my fascination with organic textures, which I’m coming to understand as a fascination with pattern: after all, texture in nature is but the sensuous expression of pattern, and discovering patterns–and combining them, combining them in antithetical (or should I say, incommensurate) combinations, plays an increasingly important role in my art. I think this is visible in 3 of my recent works:
…as well as my Pavement Series of last year, and all of my trash assemblages (we too, are ‘Nature,’ and all things we do and make, we do and make by Nature’s rules). I’ve only begun to see how this works with my acrylic paintings and larger larger pieces.
Pattern & structure are present in deterioration & decay. Entropy simplifies, but doesn’t destroy, structure. Political, social and economic structures become rigid, resisting change, stifling freedom. Visualizing decaying patterns becomes a psychological extension of a search for fissures in the borders, locations of breakdowns where new, generative patterns may begin to form. I think of my most abstract work as no less political than pieces with explicit “messages,” … and more truly subversive.