Towards a New Transcendental Aesthetic

Larval Subjects .

108-519Jacob Russell has written a very nice response to my post on Margaret’s Pepper Principle, translating this principle into the domain of aesthetics. The money quote comes at the end:

From my earlier POST (a chapter in my novel-in-progress, Ari Figue’s Cat, I wrote (with some alterations)

Until the first word is written everything is possible. … We may, of course, erase as we write, circling back to a new starting point–speaking to ourselves, as it were, but that all comes to an end the moment the page is read, and in truth, even the freedom of erasure and revision is an illusion. Every word added to the next forecloses an infinite array of possibilities.

If you set out to tell a story you quickly find that you cannot go just anywhere. The more you write the more the words take charge, reducing the writer to a mere instrument…

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One thought on “Towards a New Transcendental Aesthetic

  1. I don’t remember when I wrote that, but if I was still working on the novel, it would be a few years before I began to make material assemblages at the Ox–pretty much as Levi describes at the end of his post.
    ” Along these lines, an artistic production wouldn’t be a product of an artists mind then imposed on matter (say oil paints or signifiers) functioning as passive stuff in need of formatting. No, matter is already formatted, matter already contains singularities. Rather, an artistic production would be the product of an assemblage of singularities involving the artist, the material, the world, society, and much else beside. It would then be the navigation or negotiation of these constellations of singularities that would account for the creation of something new in the world.”

    … work that led me back into making visual art.

    Like

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