Perhaps it’s like this. The eternal and universal are not something that is already there, but rather are something that is produced. Here, of course, I’m dancing with Badiou. If it is true that the eternal and universal are something produced, then they are also wagers. No one can know in advance whether something will be eternal or universal. Only time will tell. This entails that both universality and eternity will perpetually face challenges. At any moment these crystals of time could fracture and shatter to pieces. I am here, above all, thinking about works of art. The eternal and universal work of art– song, painting, sculpture, prose, poem, architecture, etc. –is slippery. From the beginning, it doesn’t fit with its time. It’s irreducible and can’t be dated, even if we know its date and its origin. Often it will create strife or controversy; which is to say, discussion. …
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