76.2×101.6cm Satellite view? Acrylic on canvas.
This took a while–several false starts before I could see what it wanted me to do.

View my web portfolio here ART BY WILLARD
For photos on this blog:CLICK HERE, and scroll down.
Tag: Art
Abstraction as a political choice
Once you understand the history of this country–whole shelves of American fiction, and great collections of American painting, become unbearable.
I think about this when I try to understand my almost exclusive turn to abstraction, and my resistance to representative art–even though that’s what my education prepared me to do.
It’s not my call to portray the lives of black people, or “first nations’ ( I like the Canadian term), and I don’t see any crying need to paint white people! Abstraction for me embodies a voice of resistance, of protest. Both a choice, and an act of self denial: a rejection of the world I see around me. A turn to landscape, or nature painting is no better–simply another kind of denial… unless I painted toxic dumps, industrial wastelands. I lean in that direction with my Recyclations (trash assemblages).
#470 Blue dragon head.
20.3 x 24.5cm. Added pen and ink to this piece I did last year, watercolor on canvas.


View my web portfolio here ART BY WILLARD
For photos on this blog:CLICK HERE, and scroll down.
#694
Portal 50.8 x 40.6cm Acrylic on canvas

View my web portfolio here ART BY WILLARD
For photos on this blog:CLICK HERE, and scroll down.
#693 Cityscape
60.9 x 40.6cm Acrylic on canvas board. Did some more work on this.

View my web portfolio here ART BY WILLARD
For photos on this blog:CLICK HERE, and scroll down.
WIP #693
Imaginary cityscape. Work in progress. Work on this one is intense … think I’m going to like this one… if I don’t ruin it!

#692
60.9 x 60.9cm Acrylic on canvas. With abstract work, I think more in terms of structure, than composition. Ask–where are the bones? The interior scaffolding? Hearkens back to the pleasure I found when I was a boy–from around 7 to 10 years old, playing with a set of building blocks. They were the architectural wood blocks, large blocks of different sizes and shapes: pillars and arches and cubes. I would build odd configurations, cantilevered extensions balancing asymmetrical columns that grew like crystals or organisms. When I thought about, “structure,” this is what came to mind (cont below).


View my web portfolio here ART BY WILLARD
For photos on this blog:CLICK HERE, and scroll down.
Much of what I do is like that–extensions of how I would play when I was alone: building structures with stones and sticks and rusted cans, watching water running down the curbs and imagining the patterns as rivers as though seen from a great height–imaginary landscapes. I felt no connection between making art, and how I had played as a child, until I began making assemblages in the Ox.
A new insight… how it happened, that it all came bubbling out of me at that moment when it became for me, again… pure play… and what had stopped by progress so many years ago. It wasn’t, as I’ve explained to myself, that I was afraid I didn’t have the talent, or the ability; it was because there was a disconnect between what I thought of as, ‘art,’ and what I would do–how I would play when I was a child.
A realization that brings tears to my eyes. Like Proust… recovering lost time.
#691
203 x 25.4cm Watercolor, ink

For better view, go to my virtual gallery, HERE
#690
Spring Flowers in the Ruins of the Prison State. 15 x 22cm. Pen & Ink, watercolor
View in my virtual gallery, http://www.Art-by-Willard.com
#686
25 x 20cm watercolor, pen & ink. For full view, and terms of sale, go to my web portfolio here: ART BY WILLARD

