5″ x 5″ Silverpoint on Clayboard. Playing with layering. Golden ground, some covering over layers with silverpoint, blue watercolor, and one with India ink. Brush strokes with ink and some scratch-through to the black layer.
#492
#491
24″ x 16″ Mixed media: metalpoint (silver & copper), Neocolor, Tombow, watercolor, pen & ink on weathered plywood. The splintering plywood is as important a part of this as anything I added.
View GALLERY HERE.
#490
#489 Basement Stairs: additional work
14″ x 17″ Charcoal, pastel, acrylic on Bristol paper. View from my easel: my dungeon studio. Thinking about Joan Eardley, whose work I wasn’t aware of till someone posted some of her paintings on Facebook… just blown away by her paintings. The write ups on web pages–the kind of dismissive praise I guess you have to expect when male critics write about a woman artist. She’s so much more than a painter of ‘Scottish identity,’ and her paintings aren’t ‘expressionistic’ –just doesn’t capture the tension she creates between her sometimes minimally suggested subjects and the powerful abstract structures that govern and contain them. They never lapse into a mere expressionist mess. There’s no need to hold their representative subjects in mind to feel the power, the pure visual power or her re-imagining them. So much of what I aspire to do.
#488
38″ x 38″ Acrylic on canvas. This one took me more time than usual. It’s a paint-over of #412, which I decided I didn’t like.
#487 reposting with better photo
#486
Silverpoint: chip of weathered wood
Our Corporate Police State at Work
The coordinated shutdown of dissent.











