#129 World News. Assemblage. Crushed plastic container, trash newspaper story captions from Feb 11, 2013 acrylic on Masonite
#131 61x63cm Assemblage, trash, acrylic on wood.
136 122x61cm Fusion. Roofing paper, dirt, acrylic on Massonite
#65 61x61cm Arcrylic on wood, with paint can lids, wood strips, paper street dirt.
I scrape curbside dirt with its bits of glass, fine gravel and shreds of this and that for texture and modulation on wet paint. Framed with wood from an abandoned building.
$68 November Alleghenies. 28x98cm Rusted metal cabinet door, dirt, twigs acrylic
$74 76x13x32 cm. Auto bumper from car accident with acrylic shadows.
From October, 2012

#21 Roofing, twigs, scrap

#23 63x34cm Assemblage, composition in B&W

#24 27x13cm Assemblage, composition in B&W
I made 222 pieces at the Ox, from July 2012 to the end of November, 2013. I’ll begin posting those I have photos of. Here are 5 of the earliest.

#2 Sexuation 30×25 cm Assemblage

#3 The Gaze. 35x29cm, Assemblage
#10 Piece of the Puzzle 36x23cm. Assemblage

#19 37x30cm Assemblage

I moved into the Ox in July, 2012. A queer-safe unfinished warehouse in Kensington (Philly), occupied by an assortment of some 20 or so weird people: activists, queers, musicians, artists (and one subparticle physicist– who slept on the roof), a place I’ve never in my life felt more at home. For the first time in more than 40 years, I found myself in a place where I had room to make art. For years, I’d been fascinated by found things, junk left in the trash, things I’d come across on streets and vacant lots and nursed dreams of assembling these objects–maybe together with drawings, painting–what Rouschenberg called ‘combines.’
The Ox itself was full of stuff–I put a board on a large table in an open space by an open loading space for light, and began arranging things, moving them this way and that. I wasn’t thinking of re-making myself as an artist. It was something I could do without words–visual thinking that felt like ice breaking on a river after a very long winter.

After coming back from a week long interruption, walking from Philly to New York and Zuccotti Park with the OWS Guitarmy, in honor of Woody Guthrie’s 100’th birthday, I bought Modpodge, found some old cans of house paint, borrowed some jars of acrylic, and put this piece together.

88×64 cm. Assorted trash, branch & twigs, glitter, house paint and acrylic on wood. And poems. For my Poem Tree on East Passyunk in South Philly.
The next piece, a piece of rusted steel, glass, wood scraps, washers and a rusty nail on cardboard and a frame from an antique photo album. 30x24cm.
Called it Sexuation, and signed it ‘Willard,’ my legal birth name, which I’ve never used. Named for my maternal grandfather, who died two weeks before in I was born,I thought it would be a way to honor this man I’d never known, and my uncle, an artist and mentor, who I’d recently learned has been diagnosed with Alzheimer’s.
The next day I went to Utrect and bought brushes, pigments and more Modpodge. We made one of the rooms in the Ox into a studio. As of this day, January 25, 2015, I’ve finished another 301 pieces, assemblages, ‘combines,’ drawings and paintings.
I’ll be posting both old and new work on this blog. Stay tuned.