Rhizomatics (Cells, Words, Maps) Breakthrough Flow Lines of Fight
12″x 9″ Black gesso with rollar, pen and ink, white gel pen on #243 Borden & Riley paper
View GALLERY HERE.
Rhizomatics (Cells, Words, Maps) Breakthrough Flow Lines of Fight
12″x 9″ Black gesso with rollar, pen and ink, white gel pen on #243 Borden & Riley paper
View GALLERY HERE.
B&W & blue 33″x 26″ black gesso on white with hint of blue, on Masonite with applied textures. THIS HAS SINCE BEEN WORKED OVER, AS #616
(Currently undergoing major alterations) 32″ x 30″ Acrylic on canvas, with roofing asphalt. Not sure about this. It’s a paint-over. The roofing was already glued to the canvas. Thinking, might add an orange glaze to the “sky,” and darken the water.
radical reworking in progress!

View GALLERY HERE.
Cityscape 24″ x 20″ Acrylic on canvas board. Setting up the show at A-Space, and preparing with Street Medics for the DNC, eaten up my art time. (sold)
View GALLERY HERE.
Responding to a post I wrote on Lacan’s discourse of the capitalist a couple years ago, Robert asks:
How would you describe racism according to the discourse of the capitalist (vs. the discourse of the master)?
I’m grateful for Robert’s question and find that it comes at a timely moment, as it just so happens that I’ve been thinking a great deal about the discourse of the capitalist as a result of the seminar I’m currently teaching on Deleuze and Guattari’s Anti-Oedipus and an on again off again I’ve been having with my friend Orpheus.
I don’t yet have a theoretically well defined answer to Robert’s question– and recently I’ve come to discover that my true love is not evaluating things, nor proposing how to solve them, but rather in understanding the why of things and how they function –however, I do have the beginnings of a hypothesis that might…
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