19.5 x 25cm Pen & Ink, Watercolor


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Author: wjacobr
Juried submissions…
I submitted to Vox Populi’s annual juried show. The last juried show I submitted to–was some 50 years ago. I had a piece accepted. And it sold.
I had hoped I could link my web portfolio for my submission, but no luck there.
These are the 5 pieces I submitted (5 was the limit).
Submissions | Willard Johnson
art-by-willard.com
The Matrix, Schizophrenia and the Fascist War Machine
Letter from Carl Gustav Jung to Echidna Stillwell, dated 27th February 1929 [Extract] …your attachment to a Lemurian cultural-strain disturbs me intensely. From my own point of view – based on the three most difficult cases I have encountered and their attendant abysmally archaic symbolism – it is no exaggeration to state that Lemuria condenses […]
via Hyperstition: Metafiction and the Landian Cosmos — southern nights
#677
13 x 40.6cm Pen & ink, watercolor, on wood with gesso ground.


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#676
23 x 20xm Ink & watercolor. I want to call these recent pieces, ‘Prophesies,’ but of what, I have no idea.


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Abstract Horror: The Domestication of the Human Species
The Dark Forest: Literature, Philosophy, and Digital Arts
Real abstraction is the transcendental conception of Spinozistic substance.
—Nick Land, Fanged Noumena: Collected Writings 1987 – 2007
Certain figures, nodal points of obstruction, resistance, power arise repeatedly within Nick Land’s essays: Spinoza, Kant, Schopenhauer, Nietzsche, Rimbaud, Bataille, Trakl, Deleuze, etc. Each a defining aspect of a genealogical history of the immanence and collapse, annihilation and suicidal tendencies within Western Civilization. Each of these men are not so much full blown personalities to be represented, but rather bombs to be exploded within our domesticated sociality. From Plato to Derrida philosophy contributed to the domestication of humanity through the slow embellishment and formulation of an abstraction: Reason.
One could point to the early agricultural civilizations of the Middle East as the pre-formative realms within which this process of domestication took root. In these early civilizations the mapping of the stars and the earth became the ultimate foregrounding of the human mind, and thereby the…
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Zapatistas Reimagine Science as Tool of Resistance
by Sophie Duncan
A digital illustration imagining Zapatista scientists: the first one holds a dropper and beaker, the second on a calculator, and the third is looking under the microscope. All three evoke the imagery of the Zapatista flag with a red star and a black background. Artwork by Keshy Jeong.
“Is it possible to create a science that is truly human?”
April 5, 2017
As scientists grapple with what it means to march for science and defend an apolitical and ahistorical vision of science “safe” from identity, the Zapatistas have put forth the possibilities of a symbiotic relationship between science and social justice. Between December 26 and January 4th, the Ejército Zapatista de Liberación Nacional (EZLN or the Zapatistas) facilitated an interdisciplinary conference in San Cristóbal de Las Casas, México: “L@s Zapatistas y las ConCiencias por la Humanidad”. [1] As part of an armed indigenous resistance…
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Narcissism
A brief post before dinner for thoughts that need to be developed in greater detail. In an interview somewhere or other I vaguely remember that Derrida says that his project, from beginning to end, is an interrogation and deconstruction of narcissism. Given Derrida’s profound critique of the logic of identity, this comes as no surprise, for while identity is a postulate at the heart of Western philosophy (consider Parmenides or even Plato’s divided line) that functions as a logical axiom of truth and being (A = A), it also goes to the heart of our being as egos. In this connection, we could say that the thinkers of that beautiful French moment (Derrida, Deleuze, Irigaray, Foucault, and perhaps Lyotard), the thinkers of difference, are each in their own way addressing the problem of narcissism and its political effects. Here I cannot help but think of Lacan and his analysis of…
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#675
22.9 x 33.5cm Tessa Ellis Plays the Trumpet. Pen & ink, watercolor


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#673
38 x 28cm Pen & ink, watercolor splash, scraps of rusted metal


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